DAVID, Gerard
Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,
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DAVID, Gerard Triptych of Jean Des Trompes (detail) dfg oil painting


Triptych of Jean Des Trompes (detail) dfg
1505 Oil on wood Groeninge Museum, Bruges
Painting ID::  6396 		DAVID, Gerard
Triptych of Jean Des Trompes (detail) dfg
1505 Oil on wood Groeninge Museum, Bruges
   
   
     
DAVID, Gerard Triptych of Jan Des Trompes (rear of the wings) tye oil painting


Triptych of Jan Des Trompes (rear of the wings) tye
1505 Oil on wood, 132 x 43 cm (each) Groeninge Museum, Bruges
Painting ID::  6397 		DAVID, Gerard
Triptych of Jan Des Trompes (rear of the wings) tye
1505 Oil on wood, 132 x 43 cm (each) Groeninge Museum, Bruges
   
   
     
DAVID, Gerard Virgin and Child with Four Angels de oil painting


Virgin and Child with Four Angels de
c. 1505 Oil on wood, 63,2 x 39,1 cm Metropolitan Museum of Art, New York
Painting ID::  6398 		DAVID, Gerard
Virgin and Child with Four Angels de
c. 1505 Oil on wood, 63,2 x 39,1 cm Metropolitan Museum of Art, New York
   
   
     
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     DAVID, Gerard
     Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,

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